Andrea Fraser

Flash Art, Nº 223, marzo-abril de 2002

Merrily Kerr

The prim and proper docent who led “alternative” museum tours (Fraser’s alter ego in her early work) is nowhere to be seen in work at two simultaneous solo shows. Instead, a sexy Fraser bares all during a talk in a collector’s home, lets it rip as Brazilian carnival dancer, and is seduced by the curvaceous walls of the Bilbao Guggenheim