05/06/2019

"Voces en el jardín" es un programa de radio conducido por la periodista Alicia San Juan en el que hablamos con profesionales de diferentes ámbitos que comparten reflexiones e intercambian impresiones. Voces que hablan, que acarician, que discuten, que responden, que difieren. Voces en un jardín de cultura crítica. Este programa esta enmarcado dentro de nuestra particular emisora de radio, consonni radio con AZ, dentro del programa de Residencias Amphitryon en Alhóndiga Bilbao.

Señoras #11


Este martes “Voces en el Jardín” invita a María Ibarretxe y a Alaitz Arenzana creadoras de Sr Polaroiska, un colectivo cuyo trabajo gira en torno al cine experimental, a la creación escénica y la coreografía. “No hay edad para el ritmo” es  el título la nueva  instalación que podremos ver el 8 de Junio en Azkuna Zentroa. También nos visitará la videocreadora y documentalista Itxaso Díaz. Conoceremos cómo articulan el discurso de la vejez en algunos de sus trabajos.
 
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"Voces en el jardín" Alicia San Juan kazetariak gidatzen duen programa berria da, non profesional desberdinek hitz egiten duten, haien iritziak eta hausnarketak emanez eta gai desberdinak jorratuz. Irrati programa berria, consonni radio con az, Alhondigako egonaldien programaren barruan sortuta dago, consonni bertako kolketibo egoiliarra delarik.
 
#11 Andreak


Astearte hontako “Voces en el Jardín” saioak María Ibarretxe  eta Alaitz Arenzana gonbidatzen ditu, Sra Polaroiska kolektiboaren sortzeaileak.  Kolektibo honek, zinema esperimentala, sorkuntza eszenikoa eta koreografia lantzen ditu bere lanetan. ‘Ez dago adinik erritmorako’ izendutako lana, ekainaren 8an Azkuna Zentroan ikusgai egongo den instalazio berria da. Bestalde, bideo-sortzailea eta dokumentalista den Itxaso Diaz ere izango dugu gurekin. Beraien lanetan zahartzaroaren diskurtsoa nola artikulatzen duten ezagutuko dugu.

30/05/2019

BLACK SURGERY | Steal like an artist is an experimental radio programme where Liben Svaart tackles the idea of stealing like an artist applied to music. In this laboratory-programme songs will be composed from scratch using improvisation, creating techniques and experiments.
Liben Svaart is a sound artist and musician. She works in DTP, which she co-ordinates with Art studies, specialising in Art & Technology. She is currently promoting her first album ‘In Red’, available on YouTube, SoundCloud and Bandcamp.

#01 Rebuilding the wave

This introductory programme explores how to steal a song to create original works using Plunderphonics. We will have spoken footnotes, sampling visions regarding appropriation by Anki Toner and sound contributions on improvisation by Saioa Olmo.

22/05/2019

‘Cerca del cielo no se vive bien. Historias del éter’, presented by Xabier Erkizia, is another programme which consonni presents. It is a radio programme about the radio, and a proposal which reviews, through several characters of the twentieth century, not only the forms this medium has evolved into since its beginnings, but also the forms it could have turned into. It is also a forensic analysis of a means of communication which, in addition to proposing a new world model, has radically changed the way of understanding the body. In conclusion, a series of stories of the ether, written from the site.

Xabier Erkizia (Lesaka, 1975) is a sound artist, producer and curator. All his works are based on phenomenology in the context of sound and listening, and are developed through formal, aesthetic or political research, paying special attention to the geographical condition. He works or has worked as a co-director of the ERTZ (1999-2018) event and as sound department coordinator of the Arteleku Centre (2002-2014). He is the founder of the sound archive of the Basque Country soinumapa.net and is currently a member of the AUDIOLAB association. During the last few years he has been working as an invited professor in various schools and universities.

Episode #01

22/05/2019

‘Cerca del cielo no se vive bien. Historias del éter’, presented by Xabier Erkizia, is another programme which consonni presents. It is a radio programme about the radio, and a proposal which reviews, through several characters of the twentieth century, not only the forms this medium has evolved into since its beginnings, but also the forms it could have turned into. It is also a forensic analysis of a means of communication which, in addition to proposing a new world model, has radically changed the way of understanding the body. In conclusion, a series of stories of the ether, written from the site.

Xabier Erkizia (Lesaka, 1975) is a sound artist, producer and curator. All his works are based on phenomenology in the context of sound and listening, and are developed through formal, aesthetic or political research, paying special attention to the geographical condition. He works or has worked as a co-director of the ERTZ (1999-2018) event and as sound department coordinator of the Arteleku Centre (2002-2014). He is the founder of the sound archive of the Basque Country soinumapa.net and is currently a member of the AUDIOLAB association. During the last few years he has been working as an invited professor in various schools and universities.

#02 About the purpose of the radio: Velimir Khlebnikov (1885-1922)

22/05/2019

‘Cerca del cielo no se vive bien. Historias del éter’, presented by Xabier Erkizia, is another programme which consonni presents. It is a radio programme about the radio, and a proposal which reviews, through several characters of the twentieth century, not only the forms this medium has evolved into since its beginnings, but also the forms it could have turned into. It is also a forensic analysis of a means of communication which, in addition to proposing a new world model, has radically changed the way of understanding the body. In conclusion, a series of stories of the ether, written from the site.

Xabier Erkizia (Lesaka, 1975) is a sound artist, producer and curator. All his works are based on phenomenology in the context of sound and listening, and are developed through formal, aesthetic or political research, paying special attention to the geographical condition. He works or has worked as a co-director of the ERTZ (1999-2018) event and as sound department coordinator of the Arteleku Centre (2002-2014). He is the founder of the sound archive of the Basque Country soinumapa.net and is currently a member of the AUDIOLAB association. During the last few years he has been working as an invited professor in various schools and universities.

#03 Interferences, ghosts, desire and fear

Frederic Jurgensson (1903-1987) and Konstantin Raudive (1909-1974) are considered the fathers of EVP (Electronic Voice Phenomena) or the commonly known as psicophonies. An artist and a pscicologist, respectively, who teamed up to establish the theoretical basis of one of the most usual practices of the modern parapsychology. The act of listening to voices in the ether sound shares a lot of characteristics with the act of listening to the radio. We could also acknowledge that are, even in practice, just the same. Diction, words and music are the only changes, but never the desire, the fear of listening what we really desire to listen.