04/10/2019

Where is the intellectual property going to?

Conchi Cagide and Idoia San Matías, lawyers from Intangia, specialists in Intellectual Property, will try to bring authorship rights to the street, both to artists and citizens, delving into intellectual property, while discussing new developments and changes, and getting to know experiences of both artists and users.

Episode #01. 'Let’s talk about intelectual property'

We will bring the intellectual property to who corresponds, not only to artists but also to the citizens, through a debate on current and controversial issues. We will count, from the radio studio, with the collaboration of Mercedes Lezaun (mediator, Mediation and development Centre) and by phone, with the expert on blockchain tech Bárbara Román (NoLegal Tech), the expert on intellectual property by thinking design Mare Blanco and the artist and Creative commons user Cesare Maglioni.

26/09/2019

In the fifteenth episode of Pop Culture Trenches, Diego and Elisa approach the related phenomena of manga and anime, which constitude one of the liveliest expressions of popular culture and which for a few years now, have acquired unprecedented legitimacy.We wonder about the past and present of both media and the evolution of the culture which involves them, the otaku culture.

Bibliography:

Osamu Tezuka: A Manga Biography:
https://en.wikipedia.org/wiki/The_Osamu_Tezuka_Story:_A_Life_in_Manga_and_Anime
Eroguro: Horror y erotismo en la cultura popular japonesa:
http://satoriediciones.com/libros/eroguro/
Permitted and prohibited desires: Mothers, Comics, and Censorship in Japan:
https://books.google.es/books?id=ZBuAkps4jkUC&printsec=frontcover&hl=es#v=onepage&q&f=false
Ukiyo-e, World War II, and Walt Disney: The Influences on Tezuka Osamu’s Development of the Modern World of Anime and Manga:
http://fansconf.a-kon.com/dRuZ33A/wp-content/uploads/2017/08/27-Ukiyo-e-WWII-and-Walt-Disney.pdf
Peregrinar al mundo del manga:
https://www.elcorreo.com/planes/viajes/internacionales/peregrinos-manga-japon-otaku-20190103224955-ntrc.html
Superflat o el carácter híbrido de la cultura japonesa según Takashi Murakami:
https://revistas.ucm.es/index.php/ANHA/article/view/41569/39915
Ero-guro-nansensu: manga y modern girls en el Japón de entreguerras:
https://revista.tebeosfera.com/documentos/ero-guro-nansensu_manga_y_modern_girls_en_el_japon_de_entreguerras.html
La Era Showa y el Grupo del 24: Las mangakas de la Modernidad:
https://revista.tebeosfera.com/documentos/la_era_showa_y_el_grupo_del_24_las_mangakas_de_la_modernidad.html
Deseos permitidos, deseos prohibidos. Elisa McCausland en Comic Esenciales 2018:
https://www.jotdown.es/2019/04/comics-esenciales-2019/

 
25/09/2019

In the fourteenth episode of Pop Culture Trenches, Diego and Elisa address the traditional television fact, the consumption of images through the “Idiot box”. Similarities and differences with the modes of viewing through new devices, and approach to the population sectors that continue to have the small screen as the priority window of access to the world.

Bibliography:

¿Cómo se miden las audiencias de televisión... en el siglo XXI?:
http://vertele.eldiario.es/verteletv/actualidad/miden-audiencias-television-siglo-XXI_0_1296470341.html
Ancianos:
https://elpais.com/cultura/2019/06/28/television/1561710997_465204.html
«E unibus pluram»: televisión y narrativa americana:
http://poesiasub25.com/submundo/e-unibus-pluram-david-foster-wallace/

25/09/2019

 

In the thirteenth episode of Pop Culture Trenches, Elisa McCausland and Diego Salgado approach the literary and editorial fact. What is mainstream literatura, and wether it can be considered literature; what is outside literature, and if it performs any really subversive function. Nor do they forget the role of the writer and the reader; after all, and as always, with which everything starts and takes final sense.

 

Bibliography:

Interview with Concepción Cascajosa:

https://www.noticiasdenavarra.com/2017/01/29/ocio-y-cultura/comunicacion/antes-nos-daba-verguenza-ver-la-television-ahora-lo-raro-es-no-hacerlo-

Saborear o zampar series de televisión, by Elena Neira:

https://innovacionaudiovisual.com/2018/06/05/binge-watching-vs-distribucion-semanal-o-el-dilema-entre-saborear-o-zampar-una-serie-de-tv/

Interview with Jaron Lanier:

https://www.wipo.int/wipo_magazine/es/2016/02/article_0001.html

25/09/2019

VOCES QUE CAMINAN

With Gabriel Villota

According to Bruce Chatwin, the aborigines would leave a record of their journeys on foot through their songs: when these songs were sung, not only was there a mnemonic resource activated which facilitated the interpretation of a sound map, but likewise the sound of the song itself, from the voices and stories, turned material. The cities in which we live are saturated with noise: this saturation precludes listening, something for which silence is required. And that silence is produced away from the city centre, in places far away from power and capital.

This programme commences from the crossover of both ideas: the pursuit of the silence necessary to listen to the sound of the voice, on the one hand, and the observation of the body and its sound when moving, on the other, as a necessary support for the voice.

Gabriel Villota Toyos (Bilbao, 1964). DPhD in Audiovisual Communication and professor at the University of the Basque Country, where he was director of cultural programming, he has worked since the early 90s in various activities in relation to the sound and visual arts. His works have been published in numerous specialist magazines, catalogues and books. He recently curated the “Displaced bodies” and “Displaced bodies II” cycles on performance, dance and film at the Reina Sofía Museum (Madrid) and Azkuna Zentroa (Bilbao).

Episode #01. Tuesday 24th September, 6:00pm - 7:00pm: 'Los trazos de la canción (el paisaje construido por la voz)'

From the image of those maps generated by the song, as it appears in the book by Bruce Chatwin, and also following the long journeys of homo sapiens in their first intercontinental movements by the hand of the texts of the generator and anthropologist Luigi Cavalli -Sforza, we will talk with Professor Carmen Pardo (University of Girona) about these and other issues.